1 CDR
Label: Digital Funk Bitch
Cat No: DFB # 08
Running Time: 63:21
Source: Studio/Outtake
Quality: EX+
Released: October 2009
Label: Digital Funk Bitch
Cat No: DFB # 08
Running Time: 63:21
Source: Studio/Outtake
Quality: EX+
Released: October 2009
Alternative Configuration
‘Come’ Album
1994
‘Come’ Album
1994
01. Come 02. Interactive 03. Endorphinmachine 04. Space 05. Pheromone 06. Loose! 07. Papa 08. Race 09. Dark
10. Solo 11. Dolphin 12. Come
10. Solo 11. Dolphin 12. Come
*Review*
There’s been a couple of attempts before to compile alternate configurations of the ‘Come’ album, whether based on supposed ‘original configs’ or session tracks and all these with varying levels of success. This DFB take on things seems to concentrate more on session tracks from that era that were either rejected or ended up on ‘The Gold Experience’. Upon the first listen through, the first thing that strikes you is the quality and this isn’t just down to it using studio tracks. Everything has been tweaked and enhanced somewhat and sounds amazing for it. In addition, some subtle mixing has been done on a couple of the tracks and also during the transitions between songs, adding to the whole flow of the album.
You could argue forever over which tracks should/should not have been included and I guess it all boils down to personal choice and certainly, if your not particularly fond of the ‘Come’ album, then this would serve as the last hope of convincing you otherwise. Overall, a solid attempt at something ‘new’ and worth grabbing if you’re a fan of that era.
There’s been a couple of attempts before to compile alternate configurations of the ‘Come’ album, whether based on supposed ‘original configs’ or session tracks and all these with varying levels of success. This DFB take on things seems to concentrate more on session tracks from that era that were either rejected or ended up on ‘The Gold Experience’. Upon the first listen through, the first thing that strikes you is the quality and this isn’t just down to it using studio tracks. Everything has been tweaked and enhanced somewhat and sounds amazing for it. In addition, some subtle mixing has been done on a couple of the tracks and also during the transitions between songs, adding to the whole flow of the album.
You could argue forever over which tracks should/should not have been included and I guess it all boils down to personal choice and certainly, if your not particularly fond of the ‘Come’ album, then this would serve as the last hope of convincing you otherwise. Overall, a solid attempt at something ‘new’ and worth grabbing if you’re a fan of that era.